The 19th century printing process of cliché verre uses the fine soot released from an oil lamp flame to coat a piece of glass. This becomes my “negative”, I draw upon the volatile, delicate surface with my body, and the natural world. I am able to capture the most nuanced of traces. it is a material made from the vapors of dust. I allow my own vapors and the natural elements to reveal themselves upon the photographic glass matrix. I then wipe away the soot, the negative of the photograph, layer upon it, and re-expose it multiple times. Creating records, momentary acts of suspension, a vessel for keeping time. They are a proof of life, a rendering of a brief passage of my body, the wind, rain, and breath. I then wipe the glass clean of it’s residue, its memory, and repeat the action again. It is a process of rebirthing the image, creating a life cycle of the photographic negative.
All works are unique silver gelatin prints
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